Join the Art Institute for a conversational gathering featuring a visit to the exhibition Into the Void: Prints of Lee Bontecou followed by writing and drawing exercises contemplating the artist’s themes.
In the late 1960s, artist Lee Bontecou used black voids, cosmic orbs, floating teeth, and mutant flowers to evoke the fascination and terror she had about a post-WWII, nuclear future.
In this interactive and conversational gathering, dive into these conflicting ideas by visiting the exhibition Into the Void: Prints of Lee Bontecou (on view January 26-May 5), and then create expressions about the future through writing and drawing exercises.
